Sunday, May 10, 2015

The topic for this week about the connection between art and biotechnology was unique and fascinating.  In particular I found learning about the audio microscope interesting.  The reason that I found this so interesting is because it is something that I have heard of before, but did not truly understand until learning more in depth about it this week in class.  The pioneer of this type of artwork was Joe Davis.  In one article Davis is described as, "either a genius or the most brilliant con artist that ever lived" (McKenna).  He literally gives a voice to bacteria through this project.  


(http://www.gizmag.com/argonne-microbial-music/24497/)
The uniqueness of Joe Davis and his artistic expression is explained in an article by in Scientific American.  This article vividly describes Joe Davis and his eclectic works.  This gave me an even better understanding of what Davis was trying to achieve, and more detail as to how he went about doing so.  Davis discusses how he can identify microorganisms based on their acoustic signatures, and wanted to continue his work to feel these microorganisms move (Gibbs).

However, in learning about bioart Professor Vesna raised the concern of ethical issues, which I feel is important and needs to be addressed.  I appreciate the art and work of Davis with microorganisms, but I do feel that this gets a little tricky when working with live creatures such as animals.  I do not agree with animal testing, and feel that it is not ethically right to use animals in this way for the sake of art.  I agree with Zurr and Catts in their article evaluating ethical concerns of bioart that we as humans have perceptions of being a "separated and privileged life form".

(https://www.tumblr.com/search/no%20more%20animal%20testing)

Just as there are ethical standards and regulations to be followed when testing for medical research there needs to be the same for artists using live organisms in their works.  We cannot have a "because I can" attitude towards this as Stracey would say.  We must take into consideration that bioartists are working with living creatures, and respect that.  


Works Cited:
- Gibbs, W. Wayt. "Art as a Form of Life." Scientific American. Scientific American. Web. 10 May 2015.  
-McKenna, Phil. "Joe Davis: The mad scientist of MIT?"
Culture Lab. New Scientist, 23 Mar. 2012. Web. 10 May 2015. 
-Stracey, Frances. "Bio-art: the ethics behind the asthetics." Science and Society. Science and Society, July 2009. Web. 10 May 2015.  
-Zurr, Ionat and Oron Catts. "The ethical claims of Bio Art: killing the other or self-cannibalism?" The Tissue Culture and Art Project. The University of Western Australia. Web. 10 May 2015. 

3 comments:

  1. Hi Julia,

    (If you get a double post from me, sorry! Blogger lost my comment as I was hitting publish.) I totally agree with you about the need for more conversations about animal testing and research. I myself am not comfortable with that use of animals - and that's for products and procedures that might help people medically! I think that's what's great about the material for this last week's class in that it raised the questions of the appropriateness of that work just for art's sake. I'm a little nervous of artists and people who will push the boundaries and do it with the "because I can" mentality. I just wonder when and with who those conversations will include in terms of what is ethical.

    Thanks for posting!

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  2. I thought your comment on how Davis gives a voice to bacteria very thought provoking. I think there are a lot of things that art can give a voice to and that the artist has the power to make aware important issues. I think the ethics of this week was something I felt strongly about as well.. subjecting animals to a miserable life for most medical testing is hard to stand by. To do experiments on them and manipulate their bodies seems unfair if it's just for art. I think it can often send the wrong message through their pieces by using living and breathing animals. There will always debates on the ethics of most work but I think artists should address them with their work like we saw in lecture.
    -Willa

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  3. I agree with you that there are ethnical standards and regulations to be followed when artists are involving live organisms in their work. However, I think that these social concerns should extended pass live organisms. For example, GMO crops are constantly under fire due to the nature of its uncertainty. Up until now, it is still unsure whether GMO crops would have negative impacts on the environment in the long term. Thus, I think that artificially manipulated work in general should be considered carefully before being carried out. It is crucial to ensure that no harm is done when the creation is introduced to the society at large.

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